Sept. 25, 2011 marked the launch of the newly minted musical settings that followed the complete liturgical overhaul of the Roman missal.

In parishes around the archdiocese of Toronto, congregants were greeted with the small, floppy Celebrate in Song hymnal — a book that contains three freshly commissioned musical settings of the Mass. Much like the often overlapping of the spoken “and with your spirit” with the erstwhile “and also with you,” the musical settings presented congregants with a fresh challenge — adapting responses that had been previously learned en rote to a completely different, and sometimes complex, vocal line.

“I think that for people, change is death. Change is a metaphor for death. Nobody likes change,” said Peter Togni.

Togni is one of Canada’s most noted composers, and his choral works are heard in parishes across the world. Having set the Mass to music before, Togni provides an interesting view on the musical tradition that some congregants are still adapting to.

“I think the language that they’re using, in many cases, is more elegant and more directly translated from the original Latin, which goes back to what Paul VI really wanted,” said Togni.

“But, I understand the paradox, because in some ways there’s kind of a wooden link to Latin for some people — the sacrilization of Latin, almost, just for its own sake and I understand that this gets in the way of ecumenism for some people. But, from an artistic standpoint, setting the text to those words is in some ways easier and prettier, you know? ‘Lord, God of Hosts’ is easier than ‘Lord, God of Power and Might.’ I like that from a purely artistic standpoint.”

However, the adaptation, despite what may seem a more poetic version, hasn’t necessarily lent itself in all cases to the accompanying musical line. Thus, there lies an imperfect synthesis of text and music which is crucial to the participation of the congregants.

“One of them that I’ve heard, I find very awkward,” said Togni. “In the congregation that I go to now, the congregation doesn’t sing very much with one of the Mass parts because there’s so much for them to do that I find it’s overwhelming for them, and frankly, most people don’t sing.

“I think it’s the integration with the music and that text,” Togni said of what may be the inherent problem with the adjustment to the changes.

“I think different composers might have done different things with that text. Not that the text is perfect… you can get in sort of a dualistic all or nothing thinking — this is totally right, that’s totally wrong. I don’t think you can do that.”

Togni does note that the textual changes certainly serve to unite the Church across the country.

“You’re talking about universality, right? The beautiful thing about the new text, if we’re asked, is, for the French they always say ‘avec votre esprit.’ We now say, ‘and with your spirit,’ but the French have been saying it for years. So, it links us up with them,” said Togni.

Looking forward, Togni suggests that perhaps the music will adopt a more Gregorian tradition and create a solid chant-like structure that would accommodate and highlight the textual changes.

“Even if you read the Vatican documents, the chant is supposed to have lots of room. We had an opportunity to write an English setting that I think could have been more people friendly and more chant-like,” said Togni.

“No matter what you do to ‘people of goodwill,’ it’s hard to set. But, then, English is cumbersome anyway,” he laughs. “I get the sense that there’s something sort of artificial with what they ended up with.”

It’s not entirely unsuccessful, though. In particular, the Angeles “Agnus Dei” has been particularly well received by congregations that Togni’s witnessed, and musically well executed.

Despite that, perhaps the root of any musical problem in the liturgy lies with what could be described as a lagging musical culture in the Catholic tradition.

“Church choir attendance is getting smaller and smaller and smaller, in some places,” said Togni.

“In our culture, we’re not a singing people. We’re just not… I think we need to find a Mass setting that’s more people friendly, melodically; simpler rhythmically. Let’s face it — not many people sing any more.”

Another factor of the tradition that could be remedied is a less performance-like aspect to the melodic line, which would allow the cantor to interact more thoroughly with the congregants, some of whom may be averse to singing entirely, he said.

“In the Gloria, for example, I don’t know why there isn’t more refrain for the people and then the cantor or the choir can do the rest of it,” said Togni.

“It’s just so much easier. If you’re going to have the entire text, then you better make it singer friendly, and it’s not,” said Togni, who notes that some of the song selections in Celebrate in Song lend themselves well to congregant participation.

Hopefully, the new settings will entrench themselves in the musical tradition. That, or adapt to what the congregants need.

“What is that Latin phrase? ‘Lex orandi, Lex credendi’:  the law of prayer is the law of belief — what we say in prayer expresses what we believe. That’s really the crux of it,” said Togni.

“It doesn’t sound like an entirely successful experiment, artistically, so far. Not yet.”

God is always on time.

Just as I was brainstorming ways to combine three of my career interests — writing, editing and working with youth — The Catholic Register was hiring, and chose me as its new Youth Editor.

As Youth Editor, I look forward to guiding this year’s Youth Speak News team in covering stories and issues that are important to young Catholics and to our wider religious community. This year’s YSN team will strive to be effective communicators on whatever topics they cover because of their willingness to express and improve themselves and engage with their faith.

Catholic-oriented stories are everywhere, ranging from parishes to provinces and beyond. These stories can involve anything, such as faith music, policy, science, dance, business, film, community service and much more.

The Register fosters a partnership of faith and journalism, an unusual combination in the general media.

This will be my first time immersed in a faith-oriented workplace. As a child, however, my parents enrolled me in Catholic schools from pre-school to Grade 12, whether we were living in Boston, the island of Dominica or Toronto. I also spent about seven years as an altar server in the Salesian parish of St. Benedict’s in Etobicoke, Ont.

The Salesians are very youth focussed. I hope a little of that rubbed off on me. Belonging to the Knights of the Altar was an invaluable experience. Even though my only goal at the time was to have fun by volunteering, I have no doubt it encouraged my faith to grow. As I’ve learned from my predecessor, Vanessa Santilli, working for a faith-based publication can do the same.  

I thank Santilli for her work over the last two years as Youth Editor. Her enthusiasm for the position and all that the team has accomplished will continue to inspire me.

My main motivation as Youth Editor is a love of journalism. Journalism is an expression of life: what’s happening and who’s involved. If life is worth living, according to the famous Cardinal Fulton J. Sheen, then journalism is worth doing.

I anticipate a lot of newsworthy activity, especially among young Catholics as parishes prepare for World Youth Day 2013. But youth involvement with the faith is vast and has never been and never will be limited to one week.

In addition to contributing to the newspaper, I encourage the YSN team and our youth readership to think outside the page and contribute to our YSN blog, whether they do so through text or multimedia.

The blog is a great place to experiment, reflect on issues we don’t cover in the paper and expand on stories we do cover. It’s a place to include slideshows, audio, video, timelines and other fun forms of online media.  

I want both the youth section of the paper and the blog to engage and intrigue readers.

If you would like to share your ideas for the YSN section of the paper or the blog, please e-mail me at ruane@catholicregister.org. I would be happy to hear from you.