hand and heart

The recent post office troubles have impacted our regular fundraising efforts. Please consider supporting the Register and Catholic journalism by using one of the methods below:

  • Donate online
  • Donate by e-transfer to accounting@catholicregister.org
  • Donate by telephone: 416-934-3410 ext. 406 or toll-free 1-855-441-4077 ext. 406
Samuel Parker, Isabela Moner, Benjamin Flores Jr., Juliocesar Chavez and Daniel Iturriaga star in a scene from the movie "Transformers: The Last Knight." CNS photo/Paramount

Review: Transformers: The Last Knight

By  John Mulderig, Catholic News Service
  • June 24, 2017

NEW YORK – Grown-ups who yearn to connect with their inner 11-year-old boy are given a two-and-a-half-hour window of opportunity to do so in Transformers: The Last Knight (Paramount).

As for the literal preteens who might somehow enjoy this long, loud and dumb production, however, a steady stream of swearing and some muddled supernatural motifs make it inappropriate for them.

The fifth franchise entry for a series based on a line of Hasbro toys, and dating back to 2007's Transformers, director Michael Bay's ponderous sci-fi action flick, like its immediate predecessor, centres on small-time inventor Cade Yeager (Mark Wahlberg).

Unlike most humans, Cade distinguishes between the good shape-shifting robots of the title, represented most prominently by Optimus Prime (voice of Peter Cullen), and their evil counterparts. For those keeping score, the former group are called Autobots, the latter Decepticons.

This time out, Cade is scrambling to save Earth from being destroyed in a collision with the automatons' home planet, Cybertron. It seems that Quintessa (Gemma Chan), the evil sorceress who created the Transformers, has a scheme to revive their dying orb by desolating ours. And she manages to coerce Optimus into switching sides and abetting her based on the rather unanswerable argument that she is his "god."

Along with that little nonscriptural nugget, the sinkhole of a plot drags in prehistory, via a set of Dinobots allied with the Autobots, King Arthur (Liam Garrigan), the biblical apocalypse and Viviane Wembly (Laura Haddock), an English professor in present-day Oxford who becomes Cade's antipathy-at-first-sight love interest. Sir Edmund Burton (Anthony Hopkins), a loopy historian, explains all these connections in detail but unconvincingly.

As boredom sets in, viewers may take to counting the number of times Cullen pompously intones "I am Optimus Prime ..." Once is too often.

The film contains occult themes, much harsh but mostly bloodless combat violence, at least one use of profanity, a few milder oaths and much crude and crass language. The Catholic News Service classification is A-III – adults. The Motion Picture Association of America rating is PG-13 – parents strongly cautioned. Some material may be inappropriate for children under 13.

Please support The Catholic Register

Unlike many media companies, The Catholic Register has never charged readers for access to the news and information on our website. We want to keep our award-winning journalism as widely available as possible. But we need your help.

For more than 125 years, The Register has been a trusted source of faith-based journalism. By making even a small donation you help ensure our future as an important voice in the Catholic Church. If you support the mission of Catholic journalism, please donate today. Thank you.

DONATE