Movie News
As they did in the franchise's earlier films, magical elements in this sixth adaptation of J.K. Rowling's hugely popular fantasy novel series serve merely as props in a study of loyalty, friendship and the varied human responses to temptation. Unlike the moral lessons on display, these spells and potions are not intended to have any more application to real life than the flying monkeys in The Wizard of Oz.
He who is without sin...
By Harry Forbes and John Mulderig, Catholic News ServiceThis barbaric practice is depicted unflinchingly in The Stoning of Soraya M. (Roadside/Mpower), a compelling, often moving film version of Freidoune Sahebjam’s 1994 best-seller, based on an actual incident in 1986. Set in a remote Iranian village, the narrative charts a harrowing chronicle of oppression and community corruption.
Anti-gang film Mouse takes top prize
By Sheila Dabu Nonato, The Catholic RegisterThe film beat out 19 other submissions as the Best Canadian Short Film. The annual festival, in its ninth year, highlights diversity in film, video and new media.
Holocaust survivor spreads anti-bullying message through film
By Carolyn Girard, The Catholic RegisterStronger than Fire, by Toronto filmmaker Don Gray, captures the powerful tale of Eva Olsson, an 84-year-old woman from Bracebridge, Ont., who discovered a passion for speaking to students more than 12 years ago. She began facing her past after one of her three grandchildren convinced her to do a short presentation at her school.
The story behind the Irish invasion of 1847
By Carolyn Girard, The Catholic RegisterBut the story of how that impacted the city of 20,000 and its wave of new citizens who fled from a deadly typhus outbreak and the potato famine of 1845 to 1851 in their Irish homeland has gone untold for more than a century, now to be uncovered in a docudrama called Death or Canada: Fleeing the Famine . It will air on History Television March 16.
The Innocent Oscars
By Michael Swan, The Catholic RegisterOld, mad Blake seems to haunt Hollywood this Oscar season. Each of the five films nominated for best picture in the 81st running of the Academy Awards Feb. 22 tells a story of innocence and experience — of how we pass from trust to terror, and what we lose and what we gain when we learn the truth about the world and our role in it.
Bringing family values back to Hollywood
By Michael Swan, The Catholic RegisterThat Capra-like embrace of American ideals includes the film’s PG rating. Just weeks before New In Town’s Jan. 30 release, the movie was recut to remove mild profanities and avoid a PG-13 rating from the Motion Picture Association of America .
Innocence among the horror
By Carolyn Girard, The Catholic RegisterThe Boy in the Striped Pajamas is a great movie that brings a fresh look at the degradation of Nazi concentration camp prisoners through the eyes of a German child. This powerful film is definitely worth seeing.
Debunking the Pius XII myths
By Carolyn Girard, The Catholic Register“Working on this project the past two years has been an eye-opening experience,” said David Naglieri, the film’s writer and producer. “I came to understand that the black legend surrounding Pope Pius XII is, in fact, founded upon distortion and lies and that Pius XII was directly responsible for saving tens of thousands of Jews.”
Movie tackles doubt, hope, despair and faith without sentimentality
By Michael Swan, The Catholic Register{mosimage}It's not often that an explicitly Christian movie, indeed an explicitly Catholic one, escapes the toxic treacle of sentimentality and nostalgia or the pompous pedantry of polemics. Henry Poole is Here tackles miracles, faith, hope, doubt, despair and the difference Christ makes in real lives with straightforward honesty, intelligence and heart.
It's a good movie.
Hollywood's summer of morality
By Michael Swan, The Catholic Register{mosimage}The first big summer blockbuster movie was about an enormous, morally neutral, ravenous shark who arrived on a New England beach ready to punish everything from skinny dipping to political hypocrisy and capitalist greed. Jaws was big, loud, spectacular and scary.
In the 33 years since Steven Spielberg’s most original film, directors have dedicated each summer to overwhelming our senses, scaring us silly and making a pile of cash out of young audiences on vacation.