{mosimage}TORONTO - Mothers moving in with their adult daughters is the focus of a TVOntario  documentary being filmed.

{mosimage}CANNES, France - Toward the end of the movie The Da Vinci Code, the main character, Robert Langdon, tells his sleuthing partner, Sophie Neveu: "You are the last living descendent of Jesus Christ."

{mosimage}Finally, the buildup to The Da Vinci Code movie release is over and we can now dispense with speculation about its faithfulness to the famous novel by Dan Brown. All in all, the movie follows the novel quite faithfully, with all of its wild and erroneous claims about "real" history. And, the movie has no notice that it is based on a work of fiction. There is no disclaimer about the picture it presents of Opus Dei or of traditional Christian orthodoxy. However, it is quite significant that both Ron Howard and Tom Hanks played up the element of fiction in interviews, rather than bragging about Brown's alleged incredible research. Neither was inclined to give serious attention to the fact that the movie was advertised with the line: "seek the truth."

{mosimage}HAMILTON, Ont. - A movie much anticipated by Canada’s pro-life community because of its life-affirming message is set to make its debut in this country after having an impact south of the border.

{mosimage}It’s always a mistake to imagine we know exactly what original sin is. Narrowing it down to illicit sex, lies, greed, violence etc. narrows down our humanity and tempts us to imagine that by some heroic effort or stroke of genius or act of contrition we might make it all right, take back that original sin, undo the fall.

{mosimage}One of the most useless and common complaints about the movies is that they’re not like real life. It’s like complaining that the water is wet, or exercise makes you tired.

The titular Juno is an unwed teen (a marvelous performance by young Ellen Page) who finds herself pregnant after, more or less, seducing her shy classmate Paulie (Michael Cera).

{mosimage}A lot of very smart people in command of rare skills, incredible technology and huge amounts of money have once again made an absurd movie — a numbingly violent, cops-versus-the-social-ills-of-America fantasy that makes no sense and bears no relationship with real people or the real world.

{mosimage}It's not often that an explicitly Christian movie, indeed an explicitly Catholic one, escapes the toxic treacle of sentimentality and nostalgia or the pompous pedantry of polemics. Henry Poole is Here tackles miracles, faith, hope, doubt, despair and the difference Christ makes in real lives with straightforward honesty, intelligence and heart.

It's a good movie.

{mosimage}The first big summer blockbuster movie was about an enormous, morally neutral, ravenous shark who arrived on a New England beach ready to punish everything from skinny dipping to political hypocrisy and capitalist greed. Jaws was big, loud, spectacular and scary.

In the 33 years since Steven Spielberg’s most original film, directors have dedicated each summer to overwhelming our senses, scaring us silly and making a pile of cash out of young audiences on vacation.