Opera star Mark Doss has seen both sides of the good-evil divide
TORONTO - When bass-baritone Mark Doss takes the stage as King Thoas in Iphigenia in Tauris Sept. 22, an altar of sacrifice will stand at the centre of the Four Seasons Centre stage. It will be familiar territory for Doss.
Doss has played Thoas in Christoph Gluck’s most successful opera before. He premiered the role with the San Francisco Opera. The Canadian Opera Company has borrowed the San Francisco Opera production. But Doss’s knowledge of altars and sacrifice goes deeper than the opera roles he has played.
Doss arrived at classical singing by way of the seminary. His love of liturgy and sacred music eventually spilled over and his big voice found a natural home on the operatic stage.
Thirty years later, Doss’s experience of life in the seminary still influences his approach to opera.
“I’m the kind of person who really deals with the words,” said Doss. “It comes from that background — the Gospel as the Word of God, and you see it’s a really powerful thing. So, why go away from something that’s really powerful?”
Project records New Testament in Latin
WASHINGTON - A new initiative got under way this summer for the first audio recording of the New Testament in Latin.
Vatican Press has partnered with Faith Comes By Hearing, a non-profit, donor-driven interdenominational ministry “committed to the mission of reaching poor and illiterate people worldwide with the Word of God in audio” for the audio recording of the Neo-Vulgate, the Catholic Church’s official Latin translation.
Fr. Peter Stravinskas played a key role in spearheading this project.
“I’ve been involved with making available the liturgy in Latin since I was ordained,” said Stravinskas, founder and president of the St. Gregory Foundation for Latin Liturgy based in Pine Beach, N.J. Stravinskas said in the early 1980s he celebrated the only Latin Mass in New York.
In an interview with Catholic News Service, the priest said he learned about Faith Comes by Hearing, which for the past 30 years has made the New Testament available by audio in more than 500 languages. He e-mailed them and said he was impressed with the program but noticed Latin was missing.
Encountering the icon’s mystery, meaning
VANCOUVER - Embracing the Christian life is a sacred mystery and icons possess a mysterious power to draw the spiritual seeker to Christ, says iconographer Matthia Langone.
Icons are artistic “written” images of Jesus, Mary, the saints or angels that offer a living theology and experience of prayer. Iconographers not only offer their creative charism to God, they offer their whole heart, mind and soul.
“It is a transformational experience, a vocation,” said Langone.
She should know. When she encountered Russia’s most prized icons while attending an ordination in Moscow about 15 years ago, she was so struck with the stunning images, the course of her life was changed.
Stained glass highlights gift of light
Stained glass windows are one of the most interesting phenomena in art. We might wonder why not simply paint pictures as it would be a lot easier than meticulously arranging pieces of coloured glass. However, their translucent beauty has a special characteristic not found in other forms of art.
Glass, it seems, was the earliest product used in ancient times as decoration in temples, tombs, palaces and as personal adornment. Many fragments of these ornaments have been discovered among the ruins of ancient cities.
But although glass has an ancient history, the earliest known glazing of window openings only dates back to 306 BC. And even then the glazing was not done with glass, but with coloured pieces of pot-metal, an easily malleable combination of cheap metals.
A full appreciation of glass as a material to transmit light and decorate walls came only with the large window openings of 12th-century Gothic architecture. The windows had to be strong enough to keep out the elements and transparent enough to admit light.
Film remembers beloved son, soldier Marc Diab
So much so that a rosary was found inside the helmet he wore that was recovered after the roadside blast that took his life last year.
On Remembrance Day, the story of Trooper Marc Diab will serve as an “active remembrance” of the sacrifice of all Canadian soldiers, says the director of a new documentary about Diab and the impact of his death upon his family.
The American should be better, but leaves audience disappointed
Additionally, although the serious intent of the filmmakers is clear, scenes of graphic sexuality suggest a very restricted audience, while the treatment of Christian morality — via the presence of a far from exemplary, but nonetheless sympathetic Catholic priest — is unsatisfying and insubstantial.
Woody Allen's collateral damage
{mosimage}The opening voiceover of Match Point, with its image of a tennis ball tipped at the net and hovering, about to fall on one side or the other, might lead some to quickly pigeonhole Woody Allen’s forthright blunder back into film making respectability. This movie is a story about luck, the role chance plays in determining our lives, it says.
Hope in a child's birth
Writer-director Alfonso Cuaron uses P.D. James's novel The Children of Men to show us a world worn out, spinning on the empty energy of caffeine, terrorism, anger, paranoia, suicide and the media's technology of mental chaos. He shows us the real culture of death. But then he shows us something more.
Retelling of nativity lags behind Gibson's blockbuster
Hollywood movies often generate all sorts of movie paraphernalia, from McDonald's action figure trinkets to coffee mugs and posters, but knock off items for this year's Christmas release The Nativity Story are sparse.
Nativity gets Hollywood treatment
TORONTO - The latest film in Hollywood's fascination with Christ is about to hit the theatres. The Nativity Story will be released in early December just in time for the Christmas season.
Terror on terror
{mosimage}It is as unlikely that anyone will be able to parse the meaning of V for Vendetta by reviewing the political history of Guy Fawkes and the gunpowder conspiracy as it is that history will remember all those tortured, turgid, adolescent essays about the philosophy behind The Matrix trilogy. If the Wachowski brothers — the verbose screensmiths behind this movie and that previous black leather opus — have a political philosophy it is well hidden.