Catholic Education

TORONTO - The Ontario Catholic School Trustees’ Association (OCSTA) has launched a public awareness campaign to promote and help ensure the preservation of publically funded Catholic education.

TORONTO - The Toronto Catholic District School Board will be holding registration for full-day kindergarten, both existing programs and new ones, beginning Jan. 8.

TORONTO - Education is for girls, or at least that’s how the majority of young boys see it, says Jim Brown. Brown, a former director of education for the Huron-Perth Catholic District School Board, has published his findings in Rescuing Our Underachieving Sons.

TORONTO - The Toronto Catholic school board gave an early Christmas present to former student Kevin Ku, honouring him with the annual Peter Balciunas Scholarship Dec. 19.

Cardinal Leger Secondary School students capped off international CPR month by setting a new Guinness World Record for the longest continual performing of cardio-pulmonary resuscitation.

As the clock strikes midnight on New Year’s Eve, the York Catholic District School Board will celebrate both the new year and the beginning of Patricia Preston’s reign as director of education.

TORONTO - Ann Andrachuk will serve as chair of the Toronto Catholic District School Board for her third term following her election at the annual caucus meeting Nov. 29.

MUENSTER, SASK. - The staff of St. Peter’s College has only one major hurdle to overcome to bring the renovations of Michael Hall, the college building, to an end — namely, completing the fundraising to pay for the final renovation costs, which are close to $4 million.

The success of a recent open house at the college showed that goal can be reached, as there was much enthusiasm and support for the college. The public still considers St. Peter’s College to be an important part of the local district and larger community, according to Robert Harasymchuk, college president.

“Fundraising is a necessary element of St. Peter’s success. The Michael Hall renovations have necessitated financing that we hope will be supported through the generosity of our alumni and the community that supports and depends on St. Peter’s as a hub for sport, culture, recreation and of course learning,” he said. “We are continually seeking ways to improve and expand our programs and services and this is possible with the help of our college supporters.”

St. Peter’s was founded in 1921 by the Benedictine monks of St. Peter’s Abbey and since 1926 has been affiliated with the University of Saskatchewan.

Abbot Peter Novecosky, OSB, chancellor of the college, cut the ribbon to officially re-open Michael Hall after four years of renovations which cost $15 million. The renovations began as a dream 10 years ago, he remarked.

“A number of the alumni commented on the amazing transformation that Michael Hall has undergone,” Harasymchuk said in an interview.

“Although the building looked new in appearance, they said it still had the same ‘feel,’ a testament to the talent of architect Maurice Soloudre in blending the need for modern conveniences while maintaining the tradition and heritage of the building. We also heard some remarks that although many people knew it was a huge undertaking for the college, the renovations were worth it to know that students would benefit from the college for decades to come.”

Renovations affected every floor of Michael Hall, which was gutted, rebuilt and refurbished with new floors, walls, doors, lighting and windows. Doorway entrances were widened, bathrooms upgraded and wiring brought up to standard to enable information technology systems to be used. There are three new science labs on the basement floor. Students can study and visit in a lounge and recreation room, and exercise in a modern fitness centre. One of the most noticeable changes is the new elevator and shaft, an addition to the west side of the building.

Renovations were made possible through the federal Knowledge Infrastructure grant program, the provincial Ministry of Advanced Education, donations from alumni and others who gave to the capital campaign. Miners Construction was the project manager. Support was provided by the college board of governors and the monks of St. Peter’s Abbey.

(Prairie Messenger)

TORONTO - It’s hard to believe, watching John Edwards cradle his giant lute-like theorbo, that the music he is playing could be considered anything but sacred.

As he moves his fingers over the instrument’s neck, the delicate strains of Monteverdi that blossom are both rapturous and heavenly.

However, as Edwards notes, these divine melodies were often the product of secular compositions that hoped to draw in churchgoers during the Catholic Church’s Counter-Reformation.

“While the Protestants are doing three-hour sermons, the mention of the Baroque is sort of for the Counter-Reformation to put ‘sparkly things’ to draw you in that way,” laughs Edwards, one part of The Musicians in Ordinary, who have been commissioned by the University of St. Michael’s College to conduct the Principal’s Music Series for the 2012-13 season. The series launched Oct. 23.

St. Michael’s is acting as a patron of the event, which will serve not only as a one-of-a-kind concert opportunity for students, but also function as an educational exploration of a remarkable period in musical history.

The Musicians in Ordinary are a two-person ensemble of John Edwards, on the towering, lute-like theorbo, and soprano Hallie Fishel. Joined by some of Toronto’s pre-eminent Baroque musicians, Edwards and Fishel will be presenting four concerts that explore the music of the Renaissance and Baroque periods that often times blurred the lines between sacred and secular.

As an example, Edwards displays an image of The Ecstasy of St. Theresa, a famous marble sculpture by Bernini, that is at once a display of reverence and sensuality. The idea, explains Edwards, was for the Church to capitalize on the popularity of the Baroque esthetic that would appeal to the general population as they attended church as well.

“That was what they were aiming for: to draw the people in. So, it seemed... that they were seeing it as giving the public at large an access to the arts, in a way,” said Edwards.

“I think that one of the things, with the Counter-Reformation, they try and use Mary as a ‘selling point’ to draw you in.”

Monteverdi, one of the most popular composers of the time, is featured in the series’ opening concert, along with works by Barbara Strozzi, a courtesan, and Isabella Leonardi, an Ursuline nun, among others. It seems a great study in contrast to hear the works of a courtesan, who writes in her “O Maria”: “She has conformed the hearts of all to her virtue, and she delights in the heritage of the Lord.”

“Luckily they’re inventing opera at the same time, and Monteverdi was an opera composer,” said Edwards. “So he’s using the same tricks as he would use to make you fall in love with Orfeo that he uses those to make you fall in love with the Virgin Mary.”

Monteverdi (who in addition to being a popular opera composer was also the maestro di cappella at St. Mark’s in Venice) was a composer whose work was a foremost example of the transition between the polyphony of the Renaissance to the sheer emotionalism and complexity of Baroque music. This fit perfectly into the Counter-Reformation’s integration of secular elements to reinforce the faith.

“In some ways it’s similar to today; there’s a lot of changes in society... all of a sudden they have access to information. There are all these changes in the music, so how do you integrate things like this? We have some of the same problems in church music today,” said Edwards.

Take Monteverdi’s “Nigra sum,” for example, with text like: “I am black but comely, daughters of Jerusalem. Therefore the king has delighted in me and brought me to his chamber and said to me, ‘Arise, my love, and come.’ ”

This particular piece is from his Mass for six voices to the Most Holy Virgin, which Monteverdi notes is “suitable for the chapels or chambers of princes.” It seems unlikely we would hear such textual interpretation today.

“I think the music in this concert is composed so successfully that I think it can show us something too,” said Edwards of its lasting effect.

Along with Fishel and Edwards, audiences of the series will be able to see performances by Tafelmusik’s Christopher Verrette and Patricia Ahern (Baroque violin), and the noted organist Philip Fournier (organist and music director at St. Vincent de Paul Church). Additionally, several of the concerts in the series will feature pre-performance talks by some of the leading scholars in the field.

“That scholarship that we’ve been doing with these different people... it’s silly to do scholarship on the cultural context of performance, and then not do the music,” said Edwards.

“Luckily, with our residency at St. Mike’s, that’s given us a place to present some of this stuff to a real audience.”

For more see www.musiciansinordinary.ca or www.stmikes. utoronto.ca.

Catholic higher education doesn’t start in a university lecture hall and doesn’t end with a black gown and a piece of paper under a new agreement St. Jerome’s University has signed with the Hamilton diocese and six Catholic school boards.

The agreement will allow the university, diocese and school boards to pool resources for adult education, volunteering, curriculum development and more.

“We look at it very positively as an excellent opportunity to support each other in the mission of Catholic education and to promote Catholic education as a life-long process,” Gus Hubbard, Hamilton Catholic District School Board superintendent of education, told The Catholic Register.

Hamilton, Brant-Haldimand Norfolk, Waterloo, Bruce-Grey, Halton and Wellington Catholic school boards are signatories to the agreement with St. Jerome’s.

Beginning with a casual conversation about Catholic education in Waterloo Region, the agreement was developed with Hamilton Bishop Doug Crosby’s encouragement over a year of meetings. The agreement was signed by all parties Sept. 20.

“It helps all partners to think about Catholic education as something that extends from a child’s early years through high school, post-secondary education and beyond,” said St. Jerome’s religious studies professor Cristina Vanin in an e-mail.