The Barcelona basilica’s rector, Msgr. Josep María Turull, told the Spanish Catholic weekly Alfa y Omega that, if Gaudí were alive, he would be “very happy,” without caring about the extra century of work, because, as he used to say, the “master is in no hurry.”
“This spectacular thing is not the result of a dream on a summer night, but of a lot of time of meditation, work and prayer.”
Every day when he finished working, the architect went to the basilica where, always on the same bench, he sat to pray. He also regularly traveled to the Oratory of St. Philip Neri for confession and spiritual accompaniment, “so that what he built was coherent theologically and liturgically,” he said.
“Gaudí’s evangelical and evangelizing approach can only come from someone who is very united to God and exudes holiness.”
The architect’s idea, Turull pointed out, was that from the street the eyes should rise upward: The first thing you see are the 12 towers of the Apostles. If you continue, you reach the towers of the Evangelists, which “lead us to raise our gaze a little higher,” toward the tower of Jesus Christ, which is scheduled for completion in 2026.
“Beauty is capable of opening the mouth of admiration and heart to God,” said Turull, which is what happens to people when they go to the Sagrada Familía. Gaudí manages to provoke amazement, he added, that which Pope Francis speaks of as a fundamental element of the liturgy and that opens up to God. In the celebrations in the temple, “everything, the space, the light, the music, leads us to live the mystery and, as Gaudí wanted, in each Eucharist we participate in the heavenly Jerusalem and in the maximum communion with God.”
Auza said during his homily Nov. 12 that the towers “push us to be witnesses of the Lord in the middle of the world,” like the Evangelists, “that in unison evoke the presence of Christ.” He also indicated how these new elements “move us all to look where Gaudí truly looked, to the incarnate word of God in Mary.”
Concelebrating Nov. 12 were Cardinal Juan José Omella of Barcelona, Cardinal Lluís Martínez Sistach, the retired archbishop of Barcelona, and Auxiliary Bishop David Abadías of Barcelona.
After the Mass, the four newly opened towers were blessed.
“The blessing is a way of putting them in God’s hands and asking them to be an instrument so that His good reaches more people,” Auza said. Thus, just as Mary’s tower “lit the star of hope in so many hearts,” in this case the towers “would like to invite us to rediscover the four Gospels in order, through them, to know Jesus Christ better, to love Him more and to follow Him more intensely,” the nuncio said.
Construction work on the towers of the Evangelists began in 2016. They surround the future tower of Jesus Christ and measure 135 metres high. First were those of Luke and Mark, finished in 2022 with the placement of the figures with which they are identified: the ox in the first case, and the lion in the second. Since the end of September 2023 one could see the completed one of Matthew, with the human figure, and John, with the eagle.
The sculptures are the work of Xavier Medina-Campeny, a Spanish sculptor.
Of the six towers designed by Gaudí for the Sagrada Familía, the one of Mary was inaugurated for the feast of the Immaculate Conception Dec. 8, 2021. It is crowned by a 12-pointed star 7.3 metres in diameter.
The first thing the people of the neighbourhood do in the morning, Turull observed, “is to look at Mary’s star, and the last thing at night is to entrust themselves to Mary before going to sleep.” A star that “fills many sick people and older people with hope.”
With the completion of the Jesus Christ tower scheduled for 2026, the construction work on the entire Sagrada Familía is expected to be completed. The final tower will reach a height of 172 metres, making it the tallest in the Sagrada Familía, the tallest building in Barcelona and the tallest church tower in the world.