Arts
This week's movie releases - Nov 13th 2011
Looking for a movie this weekend? J. Edgar, Immortals and Jack & Jill are the three big releases.
"J. Edgar" (Warner Bros.)
Clint Eastwood's polished but taxing biographical drama recounts major events in the long public career of famed FBI director J. Edgar Hoover (Leonardo DiCaprio) and attempts to reconstruct his enigmatic personal life. As scripted by Dustin Lance Black, the film informatively chronicles Hoover's rise from obscure bureaucrat to power-besotted keeper of the nation's secrets.
Yet its exploration of the three main relationships in Hoover's life, with his domineering mother (Judi Dench), his girlfriend-turned-secretary (Naomi Watts) and his number two at the bureau (Armie Hammer) -- a man who was certainly Hoover's daily companion over several decades and might have been his lover -- feels sensationalized at times and will prove uncomfortable viewing even for mature audience members.
Brief intense but bloodless violence, a scene of semi-graphic adultery, homosexual and transvestite themes, a same-sex kiss, at least one use of profanity, a couple of rough terms. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. Some material may not be suitable for children.
"Immortals" (Relativity/Universal)
The Greek gods on Mount Olympus watch nervously as the mortals down below go to war in director Tarsem Singh's racy 3-D soap opera that borrows heavily from "300" (2006) and "Clash of the Titans" (2010) in plot and visual style. Centuries have passed since the Olympians vanquished the Titans, bringing tranquility to Greece.
But now an aggressive earthly king (Mickey Rourke) is on the march, vowing the destruction of humankind and "the end of the reign of gods." To close the deal, he must find the Bow of Epirus, "a legendary weapon of unimaginable power," which will allow him to free the Titans (who are in stasis) and become overlord of heaven and earth. Because their code of conduct forbids interference in the affairs of mortals, Zeus (Luke Evans) and his fellow deities look to an ordinary peasant (Henry Cavill) to save the day.
Unfortunately, the good-vs.-evil morality tale behind all this is overpowered -- make that, pulverized -- by persistent mayhem and bloodletting, much of it used for shock value, and not to advance the (rather thin) story. Relentless violence with gore including scenes of torture, upper female and rear nudity, nongraphic premarital sex. The Catholic News Service classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.
"Jack and Jill" (Columbia)
Half-witted comedy in which Adam Sandler plays both a successful Los Angeles advertising executive and his well-meaning but irksome, Bronx-based twin sister. When Sis comes to town for her annual Thanksgiving visit, the ad man can hardly wait for her to leave again -- until, that is, she artlessly wins the heart of Al Pacino (playing himself), whom he's been trying to convince to appear in a Dunkin' Donuts commercial.
Director Dennis Dugan's grab-bag of potty humor, harsh slapstick and pop-culture gags is too crude for kids and too puerile for their elders. Much violent slapstick and gross scatological humor, brief implied nudity, some sexual jokes and adult references, at least one crass term. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested.
This week's movie releases - Nov 6th 2011
Looking for a movie this weekend? Tower Heist and A Very Harold & Kumar 3D Christmas are this week's big releases.
A Very Harold & Kumar 3D Christmas.
NEW YORK - Viewers of faith beware: In its largely vain pursuit of laughs, the comedy sequel "A Very Harold & Kumar 3D Christmas" (Warner Bros.) stoops not only to sexual excess but to anti-Catholic animus and even blasphemy.
The result -- as written by Jon Hurwitz and Hayden Schlossberg and directed by Todd Strauss-Schulson -- is a consistently vulgar, intermittently loathsome insult to the holiday.
The plot -- such as it is -- begins with reformed pothead Harold (John Cho) and unrepentant stoner Kumar (Kal Penn) accidentally burning down the former's family Christmas tree. Since the now-married Harold's intimidating Hispanic father-in-law (Danny Trejo) is a devotee of all things Yule -- and grew the destroyed stately fir himself -- this sets off a frenzied but rambling quest for a replacement.
Along the journey that follows, a secondary character is revealed to have a rendezvous with a teenage virgin named Mary who ardently longs to be deflowered on Christmas Eve. Similarly, when the titular duo concocts a plot to steal a church's evergreen, their imagined scenario involves pornographic images of lesbian nuns as well as pedophile priests chasing choirboys. Another fantasy is set in heaven where a playboy version of Jesus appears, accompanied by two topless angels.
That's not to mention the attempt to mine amusement from repeated incidents where a toddler is inadvertently made high on a variety of narcotics or the claymation sequence that exploits 3-D in a manner the fertility gods of pagan antiquity might have envied.
The general tastelessness on display, but more particularly the assault on Catholic sensibilities, make it sobering to reflect that Penn left his job as an associate director of the White House Office of Public Engagement to be involved in this misbegotten mess.
Anything less engaging than the defamatory interludes and overall "nothing sacred" outlook of his latest project would be difficult to imagine.
The film contains sacrilegious humor, graphic nonmarital and aberrant sexual activity, full nudity, a benign view of drug use, about a half-dozen instances of profanity and pervasive rough and crude language. The Catholic News Service classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.
Tower Heist
NEW YORK - Workers at a luxury Manhattan apartment building plan to rob a felonious financier in the action-comedy "Tower Heist" (Universal).
What could have been a crowd-pleasing caper is marred by a steady stream of crude language. Though it features some amusing moments courtesy of a talented ensemble, the topical romp is also short-circuited by manic energy that comes across as more slapdash than extemporaneously madcap.
Alan Alda plays Arthur Shaw, a Bernie Madoff-like money manager living in the opulent penthouse of "The Tower," which occupies prime New York City real estate across from Central Park.
After Shaw is arrested by the FBI for securities fraud, Tower employees learn he looted their pension fund. Building manager Josh Kovacs (Ben Stiller), whose job it is to cater to the wealthy residents, feels responsible since he asked Shaw to invest the staff's money. Shaw's patronizing attitude toward him exacerbates Josh's thirst for payback.
Recruiting Slide (Eddie Murphy), a petty criminal from his Queens neighborhood, Josh hatches a scheme to steal Shaw's hidden stash of $20 million. Together with concierge Charlie (Casey Affleck), maid Odessa (Gabourey Sidibe), elevator operator Dev'Reaux (Michael Pena), and bankrupt preppy Mr. Fitzhugh (Matthew Broderick), they put their risky plan into action during the Macy's Thanksgiving Day parade.
Relying on stereotypical ethnic humor, and using expletives to express most every emotion, screenwriters Ted Griffin and Jeff Nathanson don't score high marks for imagination. Their main attempt at being clever involves a famous chess move, which they incorporate in a manner that serves to telegraph the plot.
For his part, director Brett Ratner -- known as much for throwing lavish Hollywood parties as for helming raucous comedies -- stages scenes with little regard for logical continuity and an engaging flow. Loud and fast are his default settings.
The humor in "Tower Heist" is broad, so much so that parents thinking it might be acceptable for older children and teens should be forewarned. Inappropriate expressions, combined with some fairly explicit sexual talk, render the movie morally dubious, regardless of the fact it's being offered in the spirit of "harmless fun."
By underestimating their premise as well as their audience, the filmmakers prove there are better ways to give power to the people and seek justice at the multiplex.
The film contains some profanity, frequent crude and crass language, much sexual banter and innuendo, a suicide attempt and a scene glamorizing alcohol abuse. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.
This week's movie releases - Oct 28th 2011
Looking for a movie this weekend? Anonymous, In Time, Paranormal Activity 3, Puss in Boots, The Rum Diary and The Three Musketeers are this week's big releases.
"Anonymous" (Columbia)
Director Roland Emmerich takes up the old but debunked conspiracy theory that William Shakespeare was a fraud, twisting history to suit a screenplay (by John Orloff) that is preposterous, lewd and farcical. We meet the "real" author of Shakespeare's works, Edward de Vere (Rhys Ifans), the 17th earl of Oxford, as a child prodigy, performing his "A Midsummer Night's Dream" for the young Queen Elizabeth (Joely Richardson). Time passes, Edward writes dozens of manuscripts in secret, has an adulterous affair with the queen, and enlists playwright Ben Jonson (Sebastian Armesto) to stage his works. Enter unscrupulous -- and illiterate -- actor Will Shakespeare (Rafe Spall), who blackmails Edward and usurps his place in literary history.
Several incestuous and adulterous relationships, nongraphic premarital sexual activity, some bloody violence. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.
"In Time" (Fox)
Though stylish, this sci-fi thriller fails to follow through on its chilling premise of a dystopian society in which everyone is genetically engineered to die at age 26 unless they can add more time to their biological clock. So time becomes the only currency. After receiving a chronological windfall, a previously impoverished factory worker (Justin Timberlake) flees the ghetto and, together with a mogul's daughter (Amanda Seyfried), attempts to redistribute wealth to the have-nots. Writer-director Andrew Niccol tries to distract the audience from analyzing the details of his intriguing scenario, but his film plays like a glossy fashion spread with a social conscience.
Nongraphic action violence, including gunplay, a suicide, a glimpse of rear female nudity, several nonmarital sexual situations, at least one instance each of profanity and rough language, several crude terms, some innuendo. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.
"Paranormal Activity 3" (Paramount)
In 1988 California, a videographer (Chris Smith) records the ominous doings of a malevolent spirit that has taken up residence in the house he shares with his new wife (Lauren Bittner) and two stepdaughters (Chloe Csengery and Jessica Brown). Directors Henry Joost and Ariel Schulman's horror sequel follows a tried and true formula to deliver mostly gore-free jolts. But the satanic elements of the plot that eventually come to the fore will make many want to steer clear.
Occult theme, brief harsh violence, drug use, some nongraphic marital lovemaking, a couple of uses of profanity, several sexual references, considerable rough and crude language. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.
"Puss in Boots" (DreamWorks)
Screenwriter Tom Wheeler's exceptionally intelligent and energetic script for this 3-D animated "Shrek" spinoff has the title character (voice of Antonio Banderas) -- accompanied by his childhood friend Humpty Dumpty (voice of Zach Galifianakis) and newfound feline love interest (voice of Salma Hayek) -- going in quest of the goose that lays golden eggs. Director Chris Miller's kid-friendly adventure combines imagery from fairy tales with a story line that makes Puss a mischievous, Zorro-like bandit to present a valuable lesson about the perils of greed and dishonesty.
Parents of young children should know in advance, however, that one of the principal characters dies. Intense action sequences. The Catholic News Service classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children.
"The Rum Diary" (FilmDistrict)
Smoke, drink, be hung over, repeat is the lusty refrain of this film memoir, set in 1960 Puerto Rico and based on gonzo journalist Hunter S. Thompson's roman a clef about his early years in the business. Writer-director Bruce Robinson and star Johnny Depp, who plays Thompson's alter ego, don't try to glamorize the abundant substance abuse. Rather, they highlight the origins of Thompson's well-known rages against injustice, corrupt politicians and corporate greed.
Still, although sweetly nostalgic at times, this material is strictly for mature adults prepared for its portrayal of drunkenness and drug addiction. Implied premarital sexual encounters, brief partial female nudity, drug and abusive alcohol use, pervasive rough and fleeting profane language. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.
"The Three Musketeers" (Summit)
Alexandre Dumas' classic costume epic of 17th-century swordsmanship, French patriotism and political treachery is updated with 3-D, slow-motion fighting and two anachronistic airships, one of which has a flamethrower. Director Paul W.S. Anderson downplays the politics to have Matthew Macfadyen, Luke Evans and Ray Stevenson as Athos, Aramis and Porthos, respectively, joined by Logan Lerman as D'Artagnan, fighting mostly for the love of their women.
Probably acceptable for mature adolescents. Fleeting crude and crass language, light sexual banter and highly stylized gun- and swordplay. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.
For Catholics who want to rock
Calling all Catholic rock fans.
Musician David Wang has launched a new web site that he hopes will contribute to building an online history of contemporary Christian music.
CatholicRock.org went online in August. It is the brainchild of Wang, leader of the award-winning Canadian Christian rock band Critical Mass and a former music columnist for The Catholic Register. It can be found at www.catholicrock.org and features Wang’s collection of Register columns.
A mother’s wish, and more, comes true
Growing up, Denyse Gervais Regan’s mother Marie Louise would always tell her children stories about her life.
Having been left by her mother in an orphanage at the tender age of four, and then going on to have 14 children of her own, what a story Marie Louise Gervais had to share.
“She’d always end by saying my life story would make a good book and I hope one of you kids one day writes that book for me,” Gervais Regan, 73, told The Catholic Register.
Fr. Lewis finds writing meditative, yet challenging
TORONTO - For Jesuit Father Scott Lewis, writing is a dominant part of his ministry.
A columnist for The Catholic Register for the past eight years, Lewis is the author of the recently published God’s Word on Sunday: Liturgy Reflections from Year B.
“You have to open yourself up to the Spirit when you go to write,” said Lewis on where he gets his inspiration from when he sits down to write his weekly columns. Drawn from his Register columns, God’s Word on Sunday examines the Sunday readings of the 2011-2012 liturgical calendar, a year that focuses on the Gospel of Mark. It follows on the heels of last year’s book on Year A.
This week's movie releases - Oct 21st 2011
Looking for a movie this weekend? The Mighty Macs, Johnny English Reborn and The Big Year are this week's big releases.
The Mighty Macs
"The Mighty Macs" (Freestyle)
The Mighty Macs is the fact-based story of a women's basketball team from a Catholic college who, through the grit and determination of their rookie coach, got a shot at the national title. This old-fashioned, family-friendly film is "Sister Act" without the singing, "Rocky" with basketballs, and "The Trouble with Angels" with Ellen Bursytn in the Rosalind Russell role of the mother superior.
The year is 1972, the feminist movement is picking up steam, and change is in the air. For Cathy Rush (Carla Gugino), 23 and recently married, this means searching for a role to play beyond that of dutiful housewife to her husband, Ed (David Boreanaz). A star basketball player herself, Cathy missed out on her own chance for glory, as her college eliminated the sport.
Against Ed's wishes, Cathy takes a job at Pennsylvania's Immaculata College (now University), run by the Congregation of the Sisters, Servants of the Immaculate Heart of Mary. The stern mother superior, Mother St. John (Bursytn), has no time for sports; she's trying to keep the school afloat, fighting off appeals from the board and the church to close its doors. Impatient and irritable, she gives Cathy free rein to build a team from scratch. This is Cathy's big chance and, although not a Catholic, she is determined to fit in and succeed, inspiring a ragtag group of girls to become a fighting force by believing in themselves. They practice despite not having a court, with improvised uniforms fashioned from nuns' smocks.
Cathy's faith never wavers, as she hands out "We Will Be #1" buttons all over town. Help arrives in the form of the youngest nun, Sister Sunday (Marley Shelton). Like Cathy, she is struggling with her vocation, trying to find her place in a traditional world. She also shares an interest in basketball. The two bond, and Sister Sunday becomes the assistant coach, drawing out the older nuns to cheer the team on at games. Against all odds, the "Macs" of Immaculata College make their way to their sport's first-ever national championship game. Cathy not only saves herself and her marriage, but the fortunes of the college -- melting the cold heart of Mother St. John in the process.
Directed by newcomer Tim Chambers, "The Mighty Macs" is a feel-good movie offering lessons in friendship, teamwork, trust and perseverance. For the most part, Catholicism is treated with respect, but it serves more as a colorful backdrop than a source for commentary. Sister Sunday provides some harmless comic relief. She lends Cathy a habit so they can qualify for free tickets on United Airlines. ("Second nun flies for free.")
Explaining her call to the religious life, Sister Sunday expresses her love for Jesus. "That whole Cana thing?" she observes, "Jesus just wanted everyone to have a good time."
The entire family will have a good time at "The Mighty Macs." The Catholic News Service classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted.
The Big Year
"The Big Year" (Fox 2000)
Warm-hearted seriocomedy in which a business tycoon (Steve Martin), a rudderless nuclear power plant worker (Jack Black) and a home contractor (Owen Wilson) vie to win the titular bird-watching competition by spotting the greatest number of different species over the course of a calendar year. As the builder obsessively tries to defend his seemingly insurmountable previous record, the executive and the slacker form an unlikely friendship as well as an alliance intended to best their sometimes unscrupulous rival.
Director David Frankel's mostly agreeable film -- inspired by Mark Obmascik's book of the same name -- affirms the primacy of family life and personal relationships over materialistic or ego-driven goals. Brief nongraphic marital lovemaking, possible cohabitation, a fertility treatment theme, adultery references, at least one use of profanity, an obscene gesture and a few crude and crass terms. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children.
Johnny English Reborn
"Johnny English Reborn" (Universal)
Elaborately constructed spy spoof -- and cleaned-up sequel to the 2003 comedy "Johnny English" -- in which Rowan Atkinson as the titular secret agent overcomes severe odds to discover who was responsible for the assassination of the president of Mozambique. Atkinson and director Oliver Parker put Johnny -- a combination of Atkinson's Mr. Bean and Leslie Nielsen's Frank Drebin of the "Naked Gun" franchise -- through a series of droll set-pieces.
One dubious, and dull, sight gag aside, they also eschew the less-than-family-friendly humor of the original. Some cartoonish violence, a single tasteless visual joke and fleeting mildly crass language. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children.
Mary Jo Leddy shows us the face of the stranger
TORONTO - Mary Jo Leddy, co-founder of Toronto's Romero House, has discovered a school for Christian living. She has learned to live a Christian life by spending her days and nights among people who have been cut adrift by the violent politics and harsh economics we are usually sheltered from in Canada.
Leddy launched her new book The Other Face of God: When the Stranger Calls Us Home [click here to buy] at Regis College Oct. 20. The book is a spiritual guide to the practical, legal and bureaucratic process of settling refugees in this country. She has spent more than 20 years struggling against what she calls the bureaucratic absurdities and moral blindness of Canada's refugee system.
"Systems supposedly designed to do good develop routines of indifference, procedures for acceptable cruelty," she writes in the 150-page Novalis book.
New magazine brings faith to public square
More than two years in the making, Canada has a new magazine that intends to inject the voice of faith into public debates.
Convivium, which published its preview issue Oct. 18, is modelled on the influential American publication First Things. And just as First Things has been praised as an important vehicle to explore the delicate relationship between religion and society, Convivium publisher Peter Stockland hopes to engage religious-minded Canadians in public debates about the serious moral and cultural issues of our times.
This week's movie releases - Oct 13th 2011
Footloose
"Footloose" (Paramount)
After a night of dirty dancing by five hard-drinking, drug-taking high school seniors from a small Southern town ends with a fatal car crash, one victim's father (Dennis Quaid), the local Presbyterian minister, spearheads legislation to ban public dancing. But his daughter (Julianne Hough) supports an underground teen revolt, which gains steam with the arrival from Boston of a James Dean-like pouting rebel (Kenny Wormald).
Director Craig Brewer's remake of the 1984 film of the same title retains -- and ramps up -- the problematic message of the original, namely, that teenagers must disobey their parents, break all the rules and follow their dreams no matter the consequences. Negative portrayal of religion; acceptance of teenage drinking, drug use, sexual activity and reckless driving; a brutal assault; and a few instances of crude and crass language.
The Catholic News Service classification is O -- morally offensive. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.
The Thing
"The Thing" (Universal)
Billed as a prequel to John Carpenter's 1982 movie of the same name, itself a remake of a 1951 horror classic, this passable creature feature follows a paleontologist (Mary Elizabeth Winstead) to Antarctica where Norwegian researchers have discovered a parasitic alien buried inside a glacier. Dutch director Matthijs van Heijningen makes little attempt to deepen the story's thematic subtext or exploit the inherently menacing atmosphere.
The shortcomings of his adequate but unnecessary homage don't amount to an egregious crime against cinema, good taste or decency. But his focus on the forensic clarity of the visual effects will unsettle many. Frequent intense, gory creature violence, an implied suicide, some profanity, much rough, crude and crass language, a lewd reference to incest.
The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.
The Way
"The Way" (Producers Distribution Agency/ARC)
After his semi-estranged son (Emilio Estevez) dies in a freak storm while hiking the ancient pilgrimage route from France to the Spanish shrine of Santiago de Compostela, a California doctor (Martin Sheen) and self-identified lapsed Catholic resolves to complete the journey as a means of honoring the lad's memory. Along the mountainous path, he meets three fellow sojourners -- a tart-tongued Canadian (Deborah Kara Unger), a merrily gormandizing Dutchman (Yorick van Wageningen) and a garrulous Irish writer (James Nesbitt) -- who together begin to break down both his self-imposed isolation and the mild orneriness by which he enforces it.
Estevez, who also wrote and directed, takes viewers on a reflective, and ultimately rewarding, exploration of elemental themes that challenges materialistic values. But the film's focus, like the varied motivations of the contemporary pilgrims it portrays, is more broadly spiritual than specifically religious, faith being treated, albeit with refreshing respect, as something the characters encounter rather than fully embrace. Brief partial rear nudity, drug use, a couple of instances of profanity and of crass language, references to abortion and sexuality.
The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.
Oratorio rises out of composer’s Holocaust obsession
TORONTO - Composer Zane Zalis has a story to tell. Give him 90 minutes, 200 singers and a huge orchestra and Zalis will lead you through an emotional tale of the Holocaust.
I Believe is a 12-part oratorio that marshals enormous, complex orchestral forces but tells its story with popular, musical theatre singers. The work will get its Toronto premiere at Roy Thomson Hall Oct. 25 as a kind of lead-in to the 31st annual Holocaust Education Week, Nov. 1-9.
Zalis, who grew up Ukrainian Catholic but later slid his family over to the Roman rite, intended his oratorio to be educational and accessible to young listeners.
Nuit Blanche project highlights Sisters of St. Joseph’s
TORONTO - The Sisters of St. Joseph are lighting up Nuit Blanche. They are featured in Cloister, a multimedia art installation spotlighting the Sisters’ nearly 160 years of service in Toronto.
“We want to emphasize their amazing contributions to the city. They are amazing leaders and an inspiration to young girls,” said Judy Pregelj, teacher-librarian at St. Joseph’s College School.
“They have a long tradition of helping the poor,” she said, referring to the Sisters of St. Joseph’s outreach to the poor through numerous operations, including the Furniture Bank and Mustard Seed ministry.
Forgotten Rembrandt sparks Christ art exhibit
TORONTO - For many years, a painting of Christ that sat in storage at the Philadelphia Museum of Art was believed to be a Rembrandt copy.
But there was something about the painting that piqued the curiosity of Canadian art expert Lloyd DeWitt, then the associate curator of the museum’s John G. Johnson Collection. DeWitt since June has been the curator of European art at the Art Gallery of Ontario in Toronto
Typical of the period, the painting was done on oak. That allowed DeWitt to initiate analysis of the painting using a process called dendrochronology, or “tree ring dating.” He made a remarkable discovery.