John Bentley Mays
John Bentley Mays is a Toronto author and journalist. His award-winning journalism has appeared in the Globe and Mail, National Post and Walrus magazine.
Nuclear deterrence theories are obsolete
In 20 of the 21 nations surveyed — the total included Canada, the United States, Russia and most European powers — majorities ranging in size from 62 to 93 per cent favoured an international agreement that would lead to the destruction of existing stockpiles of nuclear weapons and halt the spread of nuclear weapons technology to countries that don’t have it. (The single exception to this pattern was Pakistan, where only 46 per cent favoured such a scheme.)
The good and bad of modern communications
Even if you don’t toil on a computer to make a living, you may have one at home for everything from online banking to social networking. You might also use your computer to keep up with church news: the Vatican recently launched its own YouTube channel with a message from Pope Benedict XVI.
'Hollywood trash' is not so harmless
Angels and Demons, their first collaboration since The Da Vinci Code, features the usual slanders against the Catholic Church, along with dollops of the occult, a suppressed secret society and a smattering of advanced science. The official Vatican newspaper has described the resulting farrago as “harmless entertainment.” I’m not so sure.
Irish scandal should inspire anger and prayers
Like everyone else who doesn’t live on a desert island, I knew about the clergy abuse and cover-up scandals that had begun to rock the church a decade before. In defending my decision to become a Catholic against non-Catholic friends and family, who were appalled that I had joined a church in which such abuse had taken place, I adopted a hardly unusual line of argument.
The Catholic Church, I told them, is constructed of crooked, diseased wood, liable at any time to produce bad fruit. The stink of this fruit had brought its existence to the attention of church authorities, who, after some initial foot-dragging, began to clean out the orchard and compensate those who had been poisoned. The system had worked, at least to my satisfaction. This argument belonged, of course, to the “few bad apples” variety.
Pray for the artistic commitment to truth
Not that artists nowadays care whether we pray for them or not. (They are more likely to be grateful that Christians no longer have the power to censor or suppress them.) It has been a long time, after all, since churches commissioned artworks that were important in the history of art, and since artists had anything better than contempt for Christianity, its teachings and institutions.
{mosimage}The discovery of the Dead Sea Scrolls was the 20th century’s biggest archeological story.
It had the romance of the desert: Bedouin lads, poking into dry caves near the ancient Dead Sea settlement of Qumran in early 1947, find traces of a mysterious Jewish sect from the time of Jesus.
Coming when it did, on the eve of the post-war surge of new Bible translations, the unearthing of the scrolls caused astonishment by bringing to light the oldest texts of the Old Testament Scriptures in existence.
Episcopal Church troubles pain me
This church was my spiritual home before I came to Canada in 1969. It was a good one to be in during my young years: biblical, yet theologically imaginative, rooted in Christian traditions far older than the English Reformation, blessed with splendid liturgy and a rich heritage of devotion. If I am not an Anglican today, it’s because I ceased to find that rootedness in Scripture and tradition in American or Canadian Anglicanism, and found it in the Catholic Church.
Modern church emerged amid decadent 1500s
From a spiritual perspective, then, the Rome that Luther discovered was going through the worst of times. But they were also the best of times for artists, architects and interior designers. In 1505, Julius had decided to tear down the much-venerated fourth-century basilica of St. Peter and start work on a huge, magnificent new church more suitable (in his opinion) for the capital of the Christian West. Great palaces were to be constructed to complement this new St. Peter’s, grand boulevards laid out, glorious piazzas and fountains built. In 1508, Michelangelo had begun the ceiling murals in the Sistine Chapel. In the same year, the artist-architect Raphael had arrived in Rome at Julius’ invitation, and founded a large business to supply the church and secular elite with the pictures and murals they desired.
Pro-lifers compromise solemnity of death
For LifeSiteNews , a pro-life web page, the funeral was an expression of “human weakness and delusion.” In this event, “the tyranny of moral relativism triumphed. The false, very selective, ‘spirit of Vatican II’ social justice version of Catholicism dominated.”
Pro-Life movement hurt by its militant supporters
The ultra-militants among the right-to-lifers, of course, have many reasons to feel frustrated. They failed to persuade Boston archbishop Cardinal Sean O’Malley to deny U.S. Sen. Edward Kennedy a Catholic funeral in full sight of the world. They failed to get Fr. Rosica to hoist himself above the bishops and canon lawyers who gave the green light for the televised funeral service and throw himself into the campaign to denounce them. And their raving and ranting throughout this affair have almost certainly failed to cause a single person to join the struggle for the protection of the unborn.