Foul language has become the patois of modern times
Last week, I went to see director Neil Burger's seductively charming (and faintly sinister) new film The Illusionist. The story has to do with a young magician (excellent Edward Norton) in Vienna, circa 1900, who falls in love with a titled aristocrat (Jessica Biel), much to the annoyance of the lady's suitor, the Austrian crown prince (Rufus Sewell). This tale is intriguing and the photography is sumptuous — though that's not why I am bringing up the film now.