To mark The Catholic Register’s 125th year, we are digging into our archive to re-publish interesting stories from the pages of our past. As the 2018 Winter Olympics prepares to open Feb. 9 in Pyeongchang, South Korea, we look back at Canada’s hockey entry in the 1964 Games at Innsbruck, a team built and coached by Fr. David Bauer. A controversial scoring system meant Canada finished fourth and out of the medals despite a 5-2 record, but the team’s showing inspired words of comfort from columnist Fr. Tom Raby in The Register, in the Feb. 22, 1964 issue:
The Register Archive: One day in the incredible life of Saint Brother André
By Catholic Register StaffAs The Catholic Register marks its 125th year, we will dig into our archive to unearth interesting stories from the pages of the past. This week, we revisit St. André Bessette, the humble Holy Cross brother who was the prime mover in the building of St. Joseph’s Oratory in Montreal and is credited with countless healings through his devotion to St. Joseph. He died on Jan. 6, 1937 (his feast day is Jan. 7) at the age of 91 and was made a saint in 2010. The following article appeared in The Catholic Register on Aug. 25, 1927, shortly after Br. André turned 83 years old.
Homegrown Canadian Christmas carols go way beyond SCTV’s Bob and Doug McKenzie’s interpretation of “The 12 Days of Christmas,” the Rovers’ “Grandma Got Run Over by a Reindeer” and, for some of a certain vintage, the novelty song “Honky the Christmas Goose” sung by Toronto Maple Leafs legend Johnny Bower.
More...
“Sorry lady, but I am not going to call you mother.”
The theatre audience snickered during the sole moment of comedy in the film Novitiate. In the scene, a concerned mother of a young novice was confronting the Mother Superior about the wellbeing of her daughter, newly arrived at the convent.The film, which opened in theatres Nov. 3, follows a 17-year-old novice as she becomes a nun during the mid-1960s. The film has received mixed reviews from critics, both Catholic and secular, for its content and its portrayal of the Church. To some it is historically inaccurate and unworthy of support; to others the story and the message is compelling enough to overlook whatever artistic license the director may have taken.
What’s a Catholic movie-goer to think?